Around the throne

Around the throne, beside the four creatures and under the feet of the Seated One, as if seen through the transparent waters of the crystal sea, as if to fill the whole space of the vision, arranged according to the triangular frame of the tympanum, rising from a base of seven plus seven, then to three plus three and then to two plus two, at either side of the great throne, on twenty-four little thrones, there were twenty-four ancients, wearing white garments and crowned to gold,replica gucci wallets. Some held lutes in their hands, one a vase of perfumes, and only one was playing an instrument, all the others were in ecstasy,knockoff handbags, faces turned to the Seated One, whose praises they were singing, their limbs also twisted like the creatures’, so that all could see the Seated One, not in wild fashion, however, but with movements of ecstatic dance—as David must have danced before the Ark—so that wherever their pupils were, against the law governing the stature of bodies, they converged on the same radiant spot. Oh, what a harmony of abandonment and impulse, of unnatural and yet graceful postures, in that mystical language of limbs miraculously freed from the weight of corporeal matter, marked quantity infused with new substantial form, as if the holy band were struck by an impetuous wind, breath of life, frenzy of delight, rejoicing song of praise miraculously transformed, from the sound that it was, into image.
Bodies inhabited in every part by the Spirit, illuminat?ed by revelation, faces overcome with amazement, eyes shining with enthusiasm, cheeks flushed with love, pu?pils dilated with joy: this one thunderstruck by a pleas?urable consternation, that one pierced by a consternated pleasure, some transfigured by wonder, some rejuvenat?ed by bliss, there they all were, singing with the expres?sion of their faces, the drapery of their tunics,moncler jackets men, the position and tension of their limbs, singing a new song, lips parted in a smile of perennial praise. And beneath the feet of the ancients, and arched over them and over the throne and over the tetramorphic group,fake uggs boots, arranged in symmetrical bands, barely distinguishable one from another because the artist’s skill had made them all so mutually proportionate, united in their variety and varied to their unity, unique in their diversity and diverse in their apt assembly, in wondrous congruency of the parts with the delightful sweetness of hues, miracle of consonance and concord of voices among themselves dissimilar, a company arrayed like the strings of the zither, consentient and conspiring continued cognition through deep and interior force suited to perform univocally in the same alternating play of the equivocal, decoration and collage of creatures beyond reduction to vicissitudes and to vicissitudes reduced, work of amorous connecting sustained by a law at once heavenly and worldly (bond and stable nexus of peace, love, virtue, regimen, power, order, origin, life, light, splendor, species, and figure), numerous and resplende?nt equality through the shining of the form over the proportionate parts of the material—there, all the flow?ers and leaves and vines and bushes and corymbs were entwined, of all the grasses that adorn the gardens of earth and heaven, violet, cystus, thyme, lily, privet, narcissus, taro, acanthus, mallow, myrrh, and Mecca balsam.